“These pictures make fresh demands of McGinley and his collaborators, technically and aesthetically. Accustomed to taking countless photographs during each session, and to allowing his models a certain amount of freedom within the constraints of the kind of image he seeks, with the cave photographs McGinley must arduously organise and choreograph everything in advance: the choice of location, protracted and deliberate exposure times, the positions of spotlights, and the exact pose of the mode a pose that must be held for two or three minutes.”
